Art, French, memory

Layering Over the Wounds of Algeria in Contemporary Pied-Noir Art

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Altes, Patrick. Des p’tits Gars biend’chez nous. 2013, Janet Rady Fine Art, London.

Submission by Dr Amy L. Hubbell

Hubbell, Amy. “Layering Over the Wounds of Algeria in Contemporary Pied-Noir Art.” EuropeNow, 1 Mar. 2018, https://www.europenowjournal.org/2018/02/28/layering-over-the-wounds-of-algeria-in-contemporary-pied-noir-art/

For the past 20 years, I have been trying to understand the relationship that France’s former citizens of Algeria maintain with their lost homeland. When Algeria was decolonized in 1962 after a lengthy and bitter war, about one million people migrated en masseto France in rushed and sometimes traumatic circumstances from which they have not all recovered. Continue reading “Layering Over the Wounds of Algeria in Contemporary Pied-Noir Art”

Art, film and visual cultures, French, trauma

“Made in Algeria”: Mapping Layers of Colonial Memory into Contemporary Art

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Promotional image for the exhibition “Made in Algeria: Généalogie D’un Territoire” [Genealogy of a Territory] held at Mucem.
Submission by Dr Amy L. Hubbell

Hubbell, Amy. “Made in Algeria: Mapping Layers of Colonial Memory into Contemporary Visual Art.” French Cultural Studies, vol. 29, no. 1, 2018, pp. 8–18.

From January to May 2016, the Museum of European and Mediterranean Civilisations (known as MuCEM) in Marseille, France hosted an exhibition called “Made in Algeria: Genealogy of a Territory”. Continue reading ““Made in Algeria”: Mapping Layers of Colonial Memory into Contemporary Art”