History, Indonesia, memory, mental health, Oral History, trauma

A Lifetime of Hearing Voices: Mental Illness, Trauma, and Oral Histories

person in grass field
Photo by Mash Babkova on Pexels.com

Submission by: Dr. Annie Pohlman

Amak Dahniar has heard voices, and sometimes seen people, that others cannot since she was in her early 20s. A few years ago, when Amak was in her early 70s, a psychiatrist at the hospital in the city near her home in the mountains of West Sumatra diagnosed her with paranoid schizophrenia. It was a diagnosis that meant very little to Amak; she doesn’t care for the psychiatrist, the hospital, or the medicines that she was given that made her feel sleepy.

For Amak’s children, however, the diagnosis gave a new name to their mother’s interactions with voices, visions and dreams. The voices who speak to their mother are hallucinations, the signs only she can divine that others in the village mean her harm are delusions.

Annie Pohlman and her colleagues from Andalas University in West Sumatra first interviewed Amak Dahniar as part of a project investigating oral histories of trauma in that province.  Continue reading “A Lifetime of Hearing Voices: Mental Illness, Trauma, and Oral Histories”

Art, film and visual cultures, French, Humanities, trauma

Empty Gallery, HK: “Times Like These: Philippe Grandrieux in Hong Kong”

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Screenshots from Philippe Grandrieux’s The Scream (4:3 Film). Copyright Philippe Grandrieux

Submission by: Prof. Greg Hainge

Running until 30th November, 2019, Empty Gallery in Hong Hong will host an exhibition of works by French film director, screenwriter, and artist Philippe Grandrieux called “The Bare Life“.  With a career spanning over forty years, Grandrieux’s work combines elements of the experimental and horror genres, providing the viewer an experience rich in sensory and psychological depth.

The curator notes that Grandrieux’s “The Bare Life” occupies “a liminal space between dream and nightmare, these works represent Grandrieux’s most distilled inquiry yet into a set of themes which have consistently haunted his cinematic research: the search for a pre-linguistic form of expression, the simultaneous primacy and unknowability of the human body, and the radically transpersonal nature of affect.”

Continue reading “Empty Gallery, HK: “Times Like These: Philippe Grandrieux in Hong Kong””

French, History, Humanities, japanese, Japanese Culture, literature, Novels, Poetry, Women

Assoc. Prof. Tomoko Aoyama to present at International Yukio Mishima Symposium in Paris

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Shirou Aoyama [Public Domain] via Wikipedia Commons
Submission by: Assoc. Prof. Tomoko Aoyama

From the 21-23 November 2019, Paris-Diderot University will host an international symposium on the Japanese writer Yukio Mishima. The symposium is entitled “50 Years After: Another Mishima?” The author, who died in a shockingly dramatic manner after a failed coup attempt in 1970, was also a poet, playwright, actor, model, and film director, and is considered one of the most important Japanese authors of the 20th century. On the 50th anniversary of his death, experts from around the world will converge in Paris to revisit his works with fresh eyes.

The symposium organisers noted that too often, Mishima’s work is read through a biographical prism, which results in his texts being surrounded by an air of seriousness. Fifty years on, by reassessing Mishima’s work, the symposium hopes to establish an inventory of criticism, to review translation or retranslation projects, and to examine the most playful and ambiguous aspects of this work. Ultimately, to present “another Mishima”.

Continue reading “Assoc. Prof. Tomoko Aoyama to present at International Yukio Mishima Symposium in Paris”